Reading some poems that are accessible to my simplistic mind:
Aug 6, 2011
The Horse Show
- William Carlos Williams
Constantly near you, I never in my entire
sixty-four years knew you so well as yesterday
or half so well. We talked. you were never
so lucid, so disengaged from all exigencies
of place and time. We talked of ourselves,
intimately, a thing never heard between us.
How long have we waited? almost a hundred years.
You said, Unless there is some spark, some
spirit we keep within ourselves, a life, a
continuing life's impossible-and it is all
we have. There is no other life, only the one.
The world of the spirits that come afterward
is the same as our own, just like you sitting
there they come and talk to me, just the same.
They come to bother us. Why? I said. I don't
know. Perhaps to find out what we are doing.
Jealous, do you think? I don't know. I
don't know why they should want to come back.
I was reading about some men who had been
buried under a mountain, I said to her, and
one of them came back after two months,
digging himself out. It was in Switzerland,
you remember? Of course I remember. The
villagers tho't it was a ghost coming down
to complain. They were frightened. They
do come, she said, what you call
my 'visions.' I talk to them just as I
am talking to you. I see them plainly.
Oh if I could only read! You don't know
what adjustments I have made. All
I can do is to try to live over again
what I knew when your brother and you
were children-but I can't always succeed.
Tell me about the horse show. I have
been waiting all week to hear about it.
Mother darling, I wasn't able to get away.
Oh that's too bad. It was just a show;
they make the horses walk up and down
to judge them by their form. Oh is that
all? I tho't it was something else. Oh
they jump and run too. I wish you had been
there, I was so interested to hear about it.
Having a Coke with You
—Frank O'Hara
is even more fun than going to San Sebastian, Irún, Hendaye, Biarritz, Bayonne
or being sick to my stomach on the Travesera de Gracia in Barcelona
partly because in your orange shirt you look like a better happier St. Sebastian
partly because of my love for you, partly because of your love for yoghurt
partly because of the fluorescent orange tulips around the birches
partly because of the secrecy our smiles take on before people and statuary
it is hard to believe when I'm with you that there can be anything as still
as solemn as unpleasantly definitive as statuary when right in front of it
in the warm New York 4 o'clock light we are drifting back and forth
between each other like a tree breathing through its spectacles
and the portrait show seems to have no faces in it at all, just paint
you suddenly wonder why in the world anyone ever did them
I look
at you and I would rather look at you than all the portraits in the world
except possibly for the Polish Rider occasionally and anyway it's in the Frick
which thank heavens you haven't gone to yet so we can go together the first time
and the fact that you move so beautifully more or less takes care of Futurism
just as at home I never think of the Nude Descending a Staircase or
at a rehearsal a single drawing of Leonardo or Michelangelo that used to wow me
and what good does all the research of the Impressionists do them
when they never got the right person to stand near the tree when the sun sank
or for that matter Marino Marini when he didn't pick the rider as carefully
as the horse
it seems they were all cheated of some marvelous experience
which is not going to go wasted on me which is why I am telling you about it
We Real Cool
- Gwendolyn Brooks
We real cool. We
Left school. We
Lurk late. We
Strike straight. We
Sing sin. We
Thin gin. We
Jazz June. We
Die soon.
The Horse Show
- William Carlos Williams
Constantly near you, I never in my entire
sixty-four years knew you so well as yesterday
or half so well. We talked. you were never
so lucid, so disengaged from all exigencies
of place and time. We talked of ourselves,
intimately, a thing never heard between us.
How long have we waited? almost a hundred years.
You said, Unless there is some spark, some
spirit we keep within ourselves, a life, a
continuing life's impossible-and it is all
we have. There is no other life, only the one.
The world of the spirits that come afterward
is the same as our own, just like you sitting
there they come and talk to me, just the same.
They come to bother us. Why? I said. I don't
know. Perhaps to find out what we are doing.
Jealous, do you think? I don't know. I
don't know why they should want to come back.
I was reading about some men who had been
buried under a mountain, I said to her, and
one of them came back after two months,
digging himself out. It was in Switzerland,
you remember? Of course I remember. The
villagers tho't it was a ghost coming down
to complain. They were frightened. They
do come, she said, what you call
my 'visions.' I talk to them just as I
am talking to you. I see them plainly.
Oh if I could only read! You don't know
what adjustments I have made. All
I can do is to try to live over again
what I knew when your brother and you
were children-but I can't always succeed.
Tell me about the horse show. I have
been waiting all week to hear about it.
Mother darling, I wasn't able to get away.
Oh that's too bad. It was just a show;
they make the horses walk up and down
to judge them by their form. Oh is that
all? I tho't it was something else. Oh
they jump and run too. I wish you had been
there, I was so interested to hear about it.
Having a Coke with You
—Frank O'Hara
is even more fun than going to San Sebastian, Irún, Hendaye, Biarritz, Bayonne
or being sick to my stomach on the Travesera de Gracia in Barcelona
partly because in your orange shirt you look like a better happier St. Sebastian
partly because of my love for you, partly because of your love for yoghurt
partly because of the fluorescent orange tulips around the birches
partly because of the secrecy our smiles take on before people and statuary
it is hard to believe when I'm with you that there can be anything as still
as solemn as unpleasantly definitive as statuary when right in front of it
in the warm New York 4 o'clock light we are drifting back and forth
between each other like a tree breathing through its spectacles
and the portrait show seems to have no faces in it at all, just paint
you suddenly wonder why in the world anyone ever did them
I look
at you and I would rather look at you than all the portraits in the world
except possibly for the Polish Rider occasionally and anyway it's in the Frick
which thank heavens you haven't gone to yet so we can go together the first time
and the fact that you move so beautifully more or less takes care of Futurism
just as at home I never think of the Nude Descending a Staircase or
at a rehearsal a single drawing of Leonardo or Michelangelo that used to wow me
and what good does all the research of the Impressionists do them
when they never got the right person to stand near the tree when the sun sank
or for that matter Marino Marini when he didn't pick the rider as carefully
as the horse
it seems they were all cheated of some marvelous experience
which is not going to go wasted on me which is why I am telling you about it
We Real Cool
- Gwendolyn Brooks
We real cool. We
Left school. We
Lurk late. We
Strike straight. We
Sing sin. We
Thin gin. We
Jazz June. We
Die soon.
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